I have always wanted to be a musician. Not that I have any particular musical talents (and never learned to read music), but my fascination with sound was definitely one of the reasons for becoming an expert in the taxonomy of orthopteroid insects, nature’s preeminent musicians. Few things are more pleasant to me than sitting on the deck of our house near Boston on a warm summer evening – a high frequency sound recorder in one hand, a glass of gin & tonic in the other – and getting lost in the hypnotic chorus of about a dozen species of katydids and crickets that share our garden with us. (The best part of this activity is that I can call it “data collecting”.) Now that the summer is sadly over, all I have is the memory of beautiful garden soundscapes, and a bunch of recordings. There are still some strugglers out there – just the other night I found a Sword-bearing conehead (Neoconcephalus ensiger) singing on the lawn in front of our house – but let’s face it, it will be very quiet very soon. And thus I thought that this might be a good time to put all of this year’s recordings together into one composite soundscape, and relive the aural painting that I am privileged to experience every summer.
Some species, such as the ubiquitous Carolina ground cricket (Eunemobius carolinus), produce calls that are not especially musical, but rather reminiscent of a buzz made by overtaxed power lines. Others, like the Treetop bush katydid (Scudderia fasciata), make irregular, high frequency clicks that show no discernible rhythm. But, as I listen to the evening’s ambience, a repeating pattern begins to emerge. Snowy tree crickets (Oecanthus fultoni) stridulate in a way that is both highly rhythmical and melodious (Joni Mitchell fans will recognize this species in the song “Night Ride Home”), while the frequency-modulated chirps of Field crickets (Gryllus veletis) add a nice, if somewhat irregular, punctuation.
As the night falls more and more species join in. A Two-spotted tree cricket (Neoxabea bipunctata) utters short, piercing cries, usually in sonic pairs, sometimes in series of threes or fours. And although I cannot hear it, I know that the Drumming katydid (Meconema thalassinum), a relatively recent arrival to North America from Europe, is banging one of his hind legs against the bark of the large oak in our garden, creating a percussive line for the rest of the ensemble. Why this species has lost its ability to stridulate and instead evolved a drumming behavior is a mystery, but it is likely that the shift was driven by either a predator or a parasite the had used its (originally) airborne calls to find the singing males and do unspeakable things to them.
And finally, later at night (and later in the season), the True katydid (Pterophylla camellifolia) adds its voice to the chorus. This spectacular insect, whose song is recognizable to anybody who’s ever lived on the East Coast of the US, is the northernmost member of a largely tropical lineage of katydids, the Pseudophyllinae. Despite them being very large and remarkably common insects (you can hear true katydids in the middle of Boston and other large cities), few people ever get the chance to see one – they spend their entire lives high in the canopies of the tallest trees, and are encountered only occasionally, for example when a gust of strong wind knocks them down onto the ground. I have lived surrounded by True katydids for the last 20 years, but can count all my encounters with them on the fingers of one hand. Incidentally, if you ever wondered where the word “katydid” came from, listen to this species’ call. The more northern populations (and thus the ones that the Pilgrims first heard, and apparently were afraid of) have a call consisting of 2-4 syllables that can be interpreted as the sound “ka-ty-did” (or, as the legend goes, “katy-she-did-it”, thus betraying the identity of some murderous lady).
My foot has been tapping since the tree crickets started calling, and now, with the strong beat of the True katydid, I can’t help but imagine melodic lines filling the spaces in between the pulses. I sip my drink and let the mind wander.